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white lillies
by: brenda spencer
Anayat Durrani - International Journalist
FAR Library › Columnists › Anayat Durrani

Anayat Durrani - Fine Art Registry™ Columnist

International Journalist

Anayat Durrani is an L.A.-based international freelance journalist with 10 years of professional experience. She is a versatile writer who has been widely published worldwide in magazines, newspapers, journals, and online. She holds a special Masters degree in Journalism and International Relations. Some of the publications she has written for include Al-Ahram Weekly, P.I. Magazine, Verdugo Monthly magazine, Lawcrossing.com.
That's the bit we’re supposed to say. The truth is that Anayat is a very sharp, perceptive and incisive terrier of a journalist who will get to the bottom of any story and tell it like it is. Woe betide anyone who has anything to hide (and in this ethical, orderly, straight field of art who does, right?) because Anayat will not take ”No comment” for an answer. She will get the truth and report it. And you, the reader, will benefit.
We are very proud to welcome Anayat to the stable of freelancers writing for FAR and know that her journalistic skills will result in very valuable material for you, our readers.

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Article List


May 7, 2008:
The Internet, A Resource for the Reporting and Recovery of Objects The Internet, A Resource for the Reporting and Recovery of Objects
Few would dispute that the Internet has been a boon for criminal activity in the art world. The Internet has provided global access to criminals looking to sell stolen objects or fakes to often... Read More


January 22, 2008:
The Art of Auctioneering The Art of Auctioneering
Auctioneers are the ones who run the show at auctions. Auctioneers must be adept at computing a constant barrage of numbers, all the while keeping their attention on bidders in the audience. They... Read More


December 12, 2007:
Collecting 101, Part IV Collecting 101, Part IV: More on Auctioneers and Auctions on Land and at Sea
Art auctions come in all shapes and sizes. The most well known are, of course, Sotheby’s and Christie’s. But there are many medium-to-smaller sized auction houses scattered throughout the U.S. an... Read More


October 12, 2007:
Collecting 101, Part III Collecting 101, Part III: Auctions and Auctioneers, and Some Tricks of the Trade
Much like the artwork they are auctioning off, the art auctioneer is the centerpiece of every auction. Articulate, often charming, the auctioneer is a master in the art of the sale. Skilled aucti... Read More


August 31, 2007:
Bill Czappa Bill Czappa: Sculpted Humor, Burbank Artist and Gallery Owner Turns Found Objects into Masterpieces
From his Pressed Duck to his Spaghetti Flag, Bill Czappa of Burbank, California, is as original as they get. With a flair for the unusual, his sculptures communicate, and carry, his famous signat... Read More


August 13, 2007:
The Certificate of Authenticity The Certificate of Authenticity: Rely on it at Your Own Risk
Between 1986 and 1994, British master art forger John Myatt painted 200 new works and passed them off as originals by nine modern masters. Myatt succeeded with the help of accomplice... Read More


July 20, 2007:
The Hallmark of Authenticity, Origin The Hallmark of Authenticity, Origin: or Artist, Secure Your Own Provenance!
California truck driver Teri Horton bought a painting for $5 in a San Bernardino thrift shop in the early 1990s. She showed her painting to an art teacher who thought it could be by American abst... Read More


June 26, 2007:
Art on the High-Seas, Part II Art on the High-Seas, Part II: What to Know Before (and after) You Buy
There you are, lounging in the warm sunshine on the top deck of a luxury cruise liner, contemplating which activity to do next. There’s lots to do onboard: the casinos, a dip in the pool, shoppin... Read More


May 29, 2007:
Art Insurance, Part III Art Insurance, Part III: What Happens After Stolen Artwork is Recovered
Edvard Munch’s paintings The Scream and The Madonna were not insured against theft when they were stolen in Norway (since recovered). In the U.S., the Isabella Stewart Gardner... Read More


May 22, 2007:
Art Insurance, Part II Art Insurance, Part II: Galleries and Corporate Collections
Not all art galleries and corporate collections are alike. Some insure their works while others do not. For an artist considering exhibiting their precious works in a gallery or corporate collect... Read More


May 11, 2007:
Art on the High-Seas, Part I Art on the High-Seas, Part I: Investigation of Cruise Line Art Auctions
Art auctions have been a popular pastime on cruise ships for over a decade, auctioning off everything from Picassos and Dalis to the works of up-and-coming living artists. And while all who atten... Read More


May 2, 2007:
What Happened to Object ID, Part II What Happened to Object ID, Part II: Examining the Use of Object ID Since its Inception
The original aim of Object ID, when it was conceived in 1993, was to help in reporting and ultimately combating art theft worldwide. In 1997, when Object ID was first adopted, the international a... Read More


April 27, 2007:
History of Object ID, Part I History of Object ID, Part I: The Crusade to Curb the Theft of Art, Antiques, Cultural
Beginning in 1993, the J. Paul Getty Trust began putting into motion what would become known as the Object ID project, an international standard for describing art, antiques and antiquities... Read More


February 26, 2007:
Art Insurance, Part I Art Insurance, Part I: Selecting Insurance Coverage for Fine Art and Collectibles
Protecting your fine art collection includes tagging and registering each item with the Fine Art Registry™ and then taking steps to see that it is sufficiently covered by insurance. And, if your... Read More


January 31, 2007:
Esam Pasha - Iraqi Art, Part IV Esam Pasha - Iraqi Art, Part IV: First Iraqi Artist to Register his Work with FAR
Esam Pasha never considered himself a political painter. But when he painted over the first and largest mural portrait of deposed Iraqi President Saddam Hussein in Baghdad, covering it with... Read More


January 31, 2007:
Iraqi Art, Part III Iraqi Art, Part III: Starting Over, Exiled Iraqi Artist Ghassan Ghaib
Bombs. Death. Destruction. Not the usual environment one might imagine an artist to create in. For Iraqi painter, Ghassan Ghaib, the realities that unfolded in Iraq following the U.S.-led... Read More


January 31, 2007:
Iraqi Art, Part II Iraqi Art, Part II: Introducing Iraq's Contemporary Artists
Iraqi painter and printmaker Hanaa Malallah has said Iraq’s long history in the fine arts is more valuable than the country’s oil. After viewing the works of Malallah and other Iraqi artists, man... Read More


January 31, 2007:
Iraqi Art, Part I Iraqi Art, Part I: Iraq's Forgotten Modern Art
When art and Iraq are mentioned in the same sentence it is more often than not in the context of Iraq’s ancient art and antiquities. But far beyond the art of ancient Mesopotamia, is a rich cultu... Read More


December 13, 2006:
Fine Art Registry, By ’FAR’ the Best Fine Art Registry, By 'FAR' the Best: An Objective Comparison of Existing Art Registries
An objective comparison of existing art registries. Art registries are sprouting up all over the information superhighway. Careful review of some of the more wellknown art registries reveals that... Read More


October 23, 2006:
Art Crime, Part III Art Crime, Part III: Forging One's Way to Fortune or Jail on the Internet
The late Richard Diebenkorn was a California modernist painter, world famous for his large-scale abstract paintings. He is recognized for his striking use of color and for moving between figurati... Read More


October 12, 2006:
Art Crime, Part II Art Crime, Part II: Putting a Dent in Art Crime
You often hear the phrase "crime doesn’t pay." Well, in the business of art crime, art thieves take every effort to make an exception to the rule. As art crime remains a serious and growing crimi... Read More


September 20, 2006:
Art Crime, Part I Art Crime, Part I: Shining Light on a Serious Problem
What do three Rembrandts, a Vermeer, a Manet, five Degas and a Cezanne have in common? All are among the still missing works of art on the FBI’s list of top 10 art thefts worldwide... Read More


More Fine Art Registry™ Columnists ›

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